Is Art Subjective?

By Jason Koop

“Art is subjective”. 

That’s a line most of us have heard, in one form or another, in our lifetime.  Put that line into a Google search, and you will get many people’s (and AI’s) take on it. 

My thoughts on that line have run the gamut from “What does that even mean?” to “That’s your excuse for defending something that is just bad” to me using it to defend my own preferences.

For the sake of this post, I’m not coming at the line “art is subjective” from the perspective that there is no “good” or “bad” art, because “beauty is in the eye of the beholder”. And I’m not saying I can convince you that some piece of art is “good” or “bad” because of how it grades on a specific formula.  I’m going to approach the line “Art is subjective” from the mindset that a piece of art can mean different things to different people at different times.

Basically, to appropriate Shrek’s greatest line:  Art is like onions.

What brought this on is two videos I saw on YouTube that discussed two franchises/series I have some definite thoughts about.  The first was The Dark Underlying Theme of IDW Sonic by Sonic Theory, and the other was The Chronicles of Narnia: The Black Sheep of 2000’s Fantasy by The Thrifty Typewriter.

In The Dark Underlying Theme of IDW Sonic, Sonic Theory argues that a major theme in the IDW Sonic comic books is free will. And I must say, having read the comics I didn’t make that connection, but then again, you’re talking about the guy who didn’t know Hamlet was contemplating suicide when he says “to be or not to be”, so… there’s that.  Sonic Theory has a point.  The theme of free will isn’t slammed in the audience’s face in a way that you cannot miss it, but now having had it pointed out, I can’t stop seeing it.  I honestly want to do a deep dive on that theme using all the characters (yes, I’m a Sonic nerd, where have you been?).

The Chronicles of Narnia: The Black Sheep of 2000’s Fantasy looks at the three theatrical movies that came out in 2005, 2008 and 2010 (The Lion, The Witch, And The Wardrobe; Prince Caspian; The Voyage of the Dawn Treader) and how they fit into the fantasy saturation that really kicked off in the 2000s.  Comparing the films to the contemporaries of their time gives the review an interesting angle.  While I don’t really agree with The Thrifty Typewriter’s takes, frankly it has more to do with the fact that I have at least a basic grasp of the spiritual tones of the stories and he doesn’t.  His perspective is drawn from taking into account the media landscape the movies were being released into.

These two seemingly unrelated things do in fact share a common thread I’d like to tug on.  They showcase how an underrated determiner of what the audience’s takeaway(s) of a story/character is the individual’s perspective.  My main takeaways from the Sonic the Hedgehog IDW comics are the themes of friendship and teamwork.  I tend to see The Chronicles of Narnia movies by comparing them to the books and the Christian themes that C.S. Lewis tried to get across. But these YouTube reviewers saw different things, probably based on their own perspectives and life experiences.

“Art is subjective”.  I used to balk at the very idea of it.  If you had a differing take on a book/movie/video game, well then you were just wrong.  And if you were to imply that there were multiple different themes that could be taken from said media, depending on how you approached it, well that was just plain silly.  The themes are the themes, and they are plainly universal, regardless of your perspective.

But now… I wonder if the themes one takes away from a piece of art are indeed subjective, because of our human flaws and brokenness.  Perhaps we are incapable of perfectly getting across themes and stories, which then leaves cracks where the audience can fill in with their own personal life experience and theology.

And by God’s grace, He makes it so that imperfect stories told by imperfect humans can have a richness of meaning.  Maybe even beyond what the creator intended.

Sonic the Hedgehog on the Small Screen... Ranked

By Jason Koop

Everyone: in this, the month of March, the year of our Lord 2025, I am petitioning that this be henceforth known as “The Month of Sonic the Hedgehog”.  Why, you ask?  Simple, because everyone knows that a march is like walking really fast.  That’s as close as you can get to running without lifting your knees that high.

So, to celebrate this inaugural month of Sonic, let’s do something that is still very much “in” these days.  Ranking media.

But what to rank… the Sonic video games, where the hedgehog got his start?  Nah, I haven’t played every Sonic game. How about the comics?  I’ve certainly talked ad nauseum about those on the podcast.  Yeah… about that.  I’ve only really read the IDW comics, and have only seen parts of the Archie comic run. And the movies… well, the less I say about those the better.

Hmmm… the problem with making these click-bait-y type blogs is you either need to come in with a ton of knowledge or a lot of time to get caught up on what you don’t know.

For the sake of brevity, we will rank something from a relatively small selection size.  Sonic’s adventures on the small screen.  Heck, we can make it even smaller by reducing it to purely animated series.  That way I can eliminate the Knuckles mini-series.

#6.   The Adventures of Sonic the Hedgehog (1993)

Full disclaimer, I have only seen a couple episodes of this, and… I honestly feel that gives me a pretty good grasp on the series as a whole.  The theme song kind of summarizes what to expect.  Sonic and Tails run around, clash with the Dr. Robotnik and his minions, wacky hi-jinks ensue, with no real plot or character to make them stick.  Frankly, it has more in common with a Looney Tunes cartoon than anything particularly “Sonic”.  While certain characters from the show got limited exposure in the Archie comic run, there’s a reason why no one is really clamouring for references to this part of Sonic’s history.

#5.   Sonic Underground (1999)

Again, having only seen a couple episodes of this, this is another insanely wacky chapter in the Hedgehog’s existence.  Really, about the only thing it does is affirm the Hedgehog’s affinity to music.  Which, while neat in of itself, does little to make this one worth watching.  At least it pretends at having a plot/story arc for its protagonists.  That’s something.  And the title is a pun.

#4.   Sonic Boom (2014-17)

Part of an attempted re-boot for the franchise (which also included a few video games sharing the same title), this series presented both different designs for the characters and a much lighter tone.  While the characters are relatively flat, there are some fun episodes and truly humorous jokes.  Thankfully, the show is self-aware enough not to take itself seriously.  Overall though, it’s best described by its in-show fast-food franchise, a “Meh Burger”.

#3.   Sonic Prime (2022-24)

This series is… confusing to me.  On the one hand, it cuts out the wacky silliness that Sonic has been known to indulge in with his animated shows.  On the other hand, it replaces it with a multi-verse story that frankly feels too spread out.  While the multi-verse does give the audience interesting takes on certain characters (like Nine, Knuckles the Dread and Mangey Tails), we aren’t given any real reason to get attached to them and their conflict.

The Chaos Council – comprised of 5 different Eggmen – is pretty funny with its squabbles and Shadow does his best to keep things on point.  There are multiple cool action sequences, and the dialogue is pretty good too.  However, it’s all too… surface and would have been better off with less multi-verse hopping.

#2.   Sonic the Hedgehog (1993-94)

Also known as Sonic SatAM (because it typically played on Saturday mornings), this is the series that is arguably the most recognizable.  In a world where Robotnik has pretty much won, polluting most of the planet and robotizing many of its inhabitants, it’s up to Sonic, Tails and the Freedom Fighters to fight back.  It provided the groundwork for the initial 10 years of Sonic’s run in Archie comics; with several characters introduced in the show being main characters, like Princess Sally Acorn, Bunnie Rabbot, Antoine, Rotor, Nicole, and Robotnik’s lackey Snively.  There is a surprising amount of world-building that happens to separate it from just being “stop the evil Dr.’s most recent evil plan”.

#1.   Sonic X (2003-06)

This is by far the largest Sonic show, in terms of story and scope.  The cast is big, including Sonic, Tails, Amy, Knuckles, Cream, Shadow, Rouge, and a human character, Chris Thorndyke. In the first season, the episodes range from funny side-stories (like where they play a baseball game against Eggman and his robots for a Chaos emerald), to more serious fare (like dealing with the fact that Chris feels very much an after thought of his parents).

The second season is where the series truly shines, taking Sonic and his friends away from Earth, and placing them in their own planet where they are soon caught up in an intergalactic war with the Metarex.  Here the series really goes big with its spectacle and stakes, leading to some surprisingly dark turns for a kids show, which makes the victory feel all the more earned.

The theme song is a fun jam.  And finally, it proves my theory that the perfect Sonic show should be an anime.

#0.   Sonic x Shadow Generations: Dark Beginnings (2024)

Karlissa went over my head an insisted I include this, to which I respond with…  IT’S NOT FAIR!!!  I mean, c’mon!  The animation is gorgeous, the dialogue is fantastic, the action scenes are flat-out SICK, and it features a hauntingly beautiful song by Casey Lee Williams!  I know, it’s a prelude to Shadow’s portion of the video game, and non-Sonic fans might not get a whole lot of it, but for someone like me (or even Karlissa, who has received fandom by association with me) its only flaw is that it’s not a full-on show!  Please, SEGA!!!  Make a show like this!  P.S.  Watch it on YouTube if you don’t own the game.