Behind-the-Scenes: Writing about C.S. Lewis and the Bible

By Karlissa J

While I was writing To Narnia and Beyond, I ‘tried out’ a variety of content and information that ultimately didn’t make it into the book. At one point, I had a chapter comparing how the four authors – MacDonald, Tolkien, Lewis, and L’Engle – each interacted with the Bible in their storytelling. Here is part of the section that I wrote for C.S. Lewis.

The Lion, the Witch and the Wardrobe was the first of the Narnia books written by C.S. Lewis, and it has been highly regarded for how it poignantly mirrors the death and resurrection story of Jesus.

Though there are other events going on in the tale, at the core of the story is the lion Aslan allowing himself to be bound to the stone table in place of the traitor Edmund, where Aslan dies and then, gloriously, is raised back to life. The story’s connections to the Gospels have been obvious to many (though not all) readers.

However, most of Lewis’ fantasy books aren’t based around Bible stories. In fact, many of Lewis’ works barely seem to mention scripture.

In his books of theology and apologetics, Lewis emphasized the importance of using both our logical capacities and our imaginative capacities to explore our faith. He defended traditional Christian beliefs against those who considered them outdated. And he meditated on the nature of God.

C.S. Lewis was a part of the Anglican church, which is a liturgical-style church where there is regular reading of the scriptures and quotes from the Bible within the service. In the Anglican church I attend, every Sunday there is a reading from the Old Testament, a Psalm is recited as a congregation, there’s a reading from the Epistles or Revelation, and there’s a reading from the Gospels (in addition to sometimes reciting parts of Isaiah or other Bible passages). Though his services may have looked slightly different, Lewis would have been very accustomed to hearing multiple portions of scripture in church.

But despite all of this, Lewis rarely mentioned the Bible in any of his writings. He wrote over twenty books, many of them nonfiction works aimed at Christian instruction, yet his only Bible study book was A Reflection on the Psalms.

In the C.S. Lewis Podcast, Lewis biographer Alister McGrath contemplates this.

“Lewis actually doesn’t look at the Bible all that much,” he notes. Instead, “he more looks along it, or he looks at people who have looked along it, and asks, what is this telling me about myself, the way the world is? Lewis I think is using the Bible, but not perhaps in the way you might expect.” (Note 1.)

Sometimes fantasy authors choose to retell Bible stories. Sometimes they choose to quote passages of scripture. And sometimes, the Bible’s influence on their writings is more subtle, existing as the behind-the-scenes source that helped the author pinpoint who God is and how He interacts with His world.

Since coming up with this now-discarded content, I’ve learned that C.S. Lewis might have had a more complex relationship with the Bible than I ever knew. That is one interesting aspect of research: discovering the depth and nuance in life, and how much you didn’t know! But for now, I’m busy reading xenofiction novels - so I may have to revisit Lewis’ understanding of the Bible some other time…

Note 1: The C.S. Lewis Podcast, “#52 Reflections on the Psalms” (posted May 2, 2022).

Subscribe to the Book-Bat newsletter!

* indicates required

Email Address *

/* real people should not fill this in and expect good things - do not remove this or risk form bot signups */

Behind-the-Scenes: Why I Included L'Engle in To Narnia and Beyond

By Karlissa J

At one point in my writing of To Narnia and Beyond, I was planning not to include Madeleine L’Engle.

I was still in the process of narrowing down which authors to focus on in my exploration of classic Christian fantasy. I’d decided that only deceased authors would count, as I wanted there to have been enough time to see how their legacy endured beyond them. Three authors were very obviously getting in: everyone knows of J.R.R. Tolkien and C.S. Lewis as pillars of fantasy; and George MacDonald had such a strong impact on Lewis (and on me) that there was no denying his inclusion as well.

But what about Madeleine L’Engle?

She is more recent than the other three: Lewis was the youngest of those men, and she was born on his 20th birthday. Her death occurred in 2007, not quite two decades ago. Her Time Quartet novels are odd, falling somewhere between fantasy and sci-fi. And I found that many readers I spoke to had never heard of her.

So why did I end up featuring her in my book To Narnia and Beyond?

For one, she didn’t stop coming up. It was important to me that each of the authors I included inspired Christians beyond their own generation. What I discovered in L’Engle was that she did just that. One of the people she inspired was painter Makoto Fujimura, whose books on faith and art I have greatly enjoyed. I realised that, even if fewer people have heard of her than Lewis or Tolkien, she has left a creative legacy that continues to inspire.

Second, I couldn’t deny anymore the way her writings had changed me.

Initially, I thought her books were strange. But I found myself contemplating life and my thoughts came to a story she’d told. What does it mean to love your enemy? What does it look like for each creature to submit to being what God called them to be? My children have asked me about baby unicorns, and I’m sure they come from eggs, because L’Engle’s A Swiftly Tilting Planet told me so.

Since I’ve written about her in my book, I have encountered more readers who know of Madeleine L’Engle and have enjoyed her writing. I expect that as I continue to talk to people about classic fantasy novels, I’ll continue to meet those who have been inspired by her.

The Fantasy Author's Secret Tool

By Jason Koop

What are the tools any writer – particularly one of fantasy – requires?  Talent, some are more apt and able than others; communication skills, nothing kills a story’s potential than it being communicated poorly; grit and determination to see a project through to completion; and curiosity.  And not just any curiosity, but a particularly nerdy type.

Now, we will explore that last one, but first, some clarification.  As someone who has dabbled in writing fantasy almost since I could write, I have come to realize in the past few years that I have built up some assumptions that I now realize are a big “wrongzo” to quote my favourite YouTuber Arlo.  Primarily, I assumed that the best thing for a fantasy writer to do to help inspire them was to intake fantasy.  It makes sense, right?  Fantasy goes in, fantasy goes out.

One thing about being married to someone who not only writes fantasy, but has gotten multiple books published (7 as of this blog posting), is that I have had my eyes opened to the realities of getting a quality fantasy story written, and the tools necessary to accomplish this.

Yes, she has the talent, grit and drive, and has come a long way in her communication skills.  But more notably for me, most of her published novels have come from a nerdiness that predated the published work.

While we have stated on the podcast that Kenneth Oppel’s novel Silverwing did inspire Karlissa’s Kingdom of Bats, it was her love for – and knowledge of – bats that was the real driving force.  It’s evident in that there are multiple species of bat represented, and they aren’t readily defined as “good bat species” and “bad bat species”.

Dwelling in Darkness is heavily inspired by both animals of the night, the Popol Vuh (a Mayan religious text), and Malagasy mythology.  There are multiple reference books around the house about the age of sailing and weaponry of that time frame that Karlissa delved into well before writing the Tales of the Diversity trilogy.  Davy Jones’ Aquarium was primarily inspired by her interest and knowledge of creatures that live in the dark depths of our oceans… and aquariums, of course.

There are examples of this in other fantasy writers.  Madeline L’Engle had a love for science, which one can definitely pick up in her Wrinkle in Time series.  J.R.R. Tolkien had a deep affinity for Norse mythology.  C.S. Lewis was a Medieval and Renaissance scholar.

Timothy Zahn, whom has written some of my favourite Star Wars novels, has a doctorate in physics, which definitely is evident in things like space battles; he can elevate these conflicts beyond a simple shoot and explode scene.

One advantage of being at the very least curious or knowledgeable in any area is that the writer can then use this to provide greater detail and “colour” for the reader’s imagination.  If Karlissa’s knowledge of creatures that live in the dark ocean depths were contained in a Google search, then Davy Jones’ life in the Abyss would undoubtedly come across as a lot more boring, with not much to differentiate it from our own.

Fantasy is a wonderfully malleable genre.  And some of the best examples of fantasy come from taking a dash or two from this wonderful world God created and letting that influence what happens in our fantasies.

As much as writers of fantasy are encouraged to let their imagination go wild with the possibilities, I think we should also praise their own unique flairs that they bring to the table.  If a writer’s work is clearly painted by their love of animals or the way physics would interact with something fictional in space, I think it all adds depth to the fantasy experience.